Resolve’s look creation tools are now more powerful than ever and can be used to enhance the quality of most editing programs. You can now apply OpenFX filters, such as those made by Sapphire, to your grading tools. They can also update their timeline to accept grades from other users. This allows colorists and editors to collaborate on different projects simultaneously. Resolve 11 has a major new feature that allows multiple users to work on the same project. Fairlight console complete with 4 channel faders, 4 channels controls, 1 editor, 5 LCD monitors, and 5 bay chassis. It can be filled with different faders, channel controls, and edit, as well as LCD monitors.

An empty 3 bay Fairlight console chassis that can be filled with different faders, channel controls, and edit. An empty 4 bay Fairlight console chassis that can be filled with different faders, channel controls, and edit. Davinci Resolve 17Īn empty 5 bay Fairlight console chassis that can be filled with different faders, channel controls, and edits. The User Interface was redesigned with the obvious changes that the viewer now appears in the middle of the screen with the Gallery panel to its left. To match a chart, simply take it on location and drag a grid across the shot in Resolve.

The new Color Match tool will apply a neutral grade based upon a reference color chart from X-Rite DataColor, DSC Labs, and will also attempt to match it. DaVinci Neural Engine, stereoscopic 3D tools, dozens of additional Resolve FX filter and Fairlight FX plugins, as well as advanced HDR grading, HDR scopes, and HDR spotting. Ethernet is used for graphic display of channel status and meters. HDMI, SDI inputs are available for computer and video monitoring. If you don’t have the Fairlight LCD monitor, you can use a blank panel to cover the LCD monitor.

Plugins for davinci resolve 11